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ANR PHEND : The Past Has Ears at Notre Dame (2020-2024)
PHEND is a French collaborative research project funded by the ANR (ANR-20-CE38-0014). Partners in the project include researchers from a wide range of disciplines, all with an interest in the sonic history of the Notre-Dame cathedral.
Additional funding has been provided by the CNRS, through the MITI Notre-Dame program with a PhD scholarship.
- Institut Jean Le Rond d'Alembert, Sorbonne Université, Paris
- Centre André Chastel (CAC) : Laboratoire de recherche en histoire de l'art, Sorbonne Université, Paris
- Institut de recherche en Musicologie (IReMus) , Sorbonne Université, Paris
- Maison des Sciences de l’Homme (MSH) Lyon St-Etienne, Lyon
- Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), SACRe (Sciences, arts, création, recherche), Paris
- Sunmetron, Agence d'architecture présentant des compétences en création, réhabilitation et restauration d'édifices, Paris
- Narrative, Producteur pour les nouveaux médias, Paris
When we think about great architectural achievements in history, such as Gothic cathedrals, their importance is strongly tied to their acoustic environment. The acoustics of a heritage site is an intangible consequence of the space’s tangible construction and furnishings. It is ephemeral, while also a concrete result of the physical nature of the environment. Through this project, we will explore how via measurements, research, and virtual reconstructions the acoustics of one of France’s most notable heritage spaces can be documented, reconstructed, and experienced by both researchers and the general public. Inspired by the project’s namesake (Phé, for the constellation Phoenix), the project focuses on the digital reconstruction of Notre-Dame de Paris, a world heritage site, bringing it back from the ashes, examining its evolution and importance in history, and working with the restoration team on its future. The consortium comprises research teams in SHS and STIC, with experience in historical, musical, architectural, and acoustical research.
Thématiques de recherche
Interaction chant/architecture et l'Ecole de Notre-Dame, chant polyphonique
Evolution de l'acoustique de Notre-Dame en traversant des siècles
Inéligibilité / clarté du chant et parole
Les orgues de Notre-Dame
(en cours de construction)
"La Vierge 2020" Hearing the Past: an immersive virtual audio concert for the ears
As an initial production, a pre-project deliverable, coinciding with the International Year of Sound (sound2020.org) and to commemorate the fire at Notre-Dame Cathedral on April 15, 2019, members of the PHEND team (researchers and sound engineers) created a virtual reconstruction of a 2013 performance recording made in the cathedral, recreating the monumental acoustics and the event.
"Looking for Notre-Dame" An immersive sound fiction
Looking for Notre-Dame is a 3D sound experience that plunges us into the mind of the young Victor Hugo as he begins his research for his future “cathedral novel”, Notre Dame de Paris. The year is 1828. Hugo is 26 years old. Notre-Dame was then a church in a dilapidated state. It would only be renovated by Viollet-le-Duc and Jean-Baptiste Lassus in 1843. Notre-Dame was dying, and Hugo wanted to resurrect it as it had been in the Middle Ages. The legendary author plunges us into an investigation / experiment on the sound of Notre-Dame, allowing us to explore its acoustics and soundscapes over the centuries.
Press articles about this project can be found in the section: In The Press
Our scientific and editoral publications related to this project can be found in the section: Publications
- Presentation of some preliminary results presented at the I3DA conference in 2021 : “Virtual Notre-Dame: Preliminary results of real-time auralization with choir members” (preprint)
- Presentation of “La Vierge 2020” production and survey data presented at the I3DA conference in 2021 : “La Vierge 2020 : Reconstructing a virtual concert performance Through Historic Auralisation of Notre-Dame Cathedral” (preprint)
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