The Past Has Ears

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   * B. F. G. Katz, M. Pardoen, J.-M. Lyzwa, S. Peichert, C. Cros, D. Poirier-Quinot, J. De Muynke, A. Ling, S. Cacheux, J. Griner, J. Mouscadet, and S. S. Mullins, “The Past Has Ears at Notre-Dame: Immersive audio experiences for public engagement,” in Proc AES Conv 156, pp. 1–8, 2024.    * B. F. G. Katz, M. Pardoen, J.-M. Lyzwa, S. Peichert, C. Cros, D. Poirier-Quinot, J. De Muynke, A. Ling, S. Cacheux, J. Griner, J. Mouscadet, and S. S. Mullins, “The Past Has Ears at Notre-Dame: Immersive audio experiences for public engagement,” in Proc AES Conv 156, pp. 1–8, 2024. 
   * S. S. Mullins and B. F. G. Katz, “The Past Has Ears at Notre-Dame Cathedral: An Interdisciplinary Project in Digital Archaeoacoustics,” Acoustics Today, vol. 20, no. 2, p. (in press).    * S. S. Mullins and B. F. G. Katz, “The Past Has Ears at Notre-Dame Cathedral: An Interdisciplinary Project in Digital Archaeoacoustics,” Acoustics Today, vol. 20, no. 2, p. (in press). 
-  * A. Foteinou, J. P. D.  Cooper, and  D.T. Murphy, “Acoustics, Audibility and Political Culture in the House of Commons”, 1800-34. Parliamentary History (in press) 2024.+  * A. Foteinou, J. P. D.  Cooper, and  D.T. Murphy, “Acoustics, Audibility and Political Culture in the House of Commons”, 1800-34. Parliamentary History, vol. 43, no. 3, pp. 316-337, 2024, doi:10.1111/1750-0206.12765
  
 === Book / Chapters === === Book / Chapters ===
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