The Past Has Ears

User Tools

Site Tools

Trace: • inthepress • pubs
phe:pubs

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revisionPrevious revision
Next revision		Previous revision
phe:pubs [2024/05/14 18:01] – katzphe:pubs [2024/11/08 18:05] (current) – katz
Line 7: Line 7:
  
 ---- ----
-==== With videos ====+==== Some with videos ====
  
   * {{ youtube>nvC-SRuZkwc}} B. F. G. Katz, D. Murphy, and A. Farina, “The Past Has Ears (PHE) : XR Explorations of acoustic spaces as Cultural Heritage,” in Intl Conf on Augmented Reality, Virtual Reality and Computer Graphics (SALENTO AVR) (L. De Paolis and P. Bourdot, eds.), vol. 12243 of Lecture Notes in Computer Science, (Salento), pp. 91–98, Sept. 2020, [[https://link.springer.com/chapter/10.1007/978-3-030-58468-9_7|doi:10.1007/978-3-030-58468-9_7.]]    * {{ youtube>nvC-SRuZkwc}} B. F. G. Katz, D. Murphy, and A. Farina, “The Past Has Ears (PHE) : XR Explorations of acoustic spaces as Cultural Heritage,” in Intl Conf on Augmented Reality, Virtual Reality and Computer Graphics (SALENTO AVR) (L. De Paolis and P. Bourdot, eds.), vol. 12243 of Lecture Notes in Computer Science, (Salento), pp. 91–98, Sept. 2020, [[https://link.springer.com/chapter/10.1007/978-3-030-58468-9_7|doi:10.1007/978-3-030-58468-9_7.]] 
Line 18: Line 18:
  
   * {{ youtube>83QClpt3hyU}} B.F.G. Katz, J.-M. Lyzwa, D. Poirier-Quinot, “La Vierge 2020 : Reconstructing a virtual concert performance Through Historic Auralisation of Notre-Dame Cathedral”, Intl Conf on Immersive and 3D Audio (I3DA), Sept. 2021. [[ http://www.lam.jussieu.fr/Publications/Conferences/2021I3DA-LaVierge.pdf|(preprint)]]    * {{ youtube>83QClpt3hyU}} B.F.G. Katz, J.-M. Lyzwa, D. Poirier-Quinot, “La Vierge 2020 : Reconstructing a virtual concert performance Through Historic Auralisation of Notre-Dame Cathedral”, Intl Conf on Immersive and 3D Audio (I3DA), Sept. 2021. [[ http://www.lam.jussieu.fr/Publications/Conferences/2021I3DA-LaVierge.pdf|(preprint)]] 
 +
 +----
 +
 +  * {{ http://www.angelofarina.it/Public/I3DA/Magistral-Lesson-Angelo-Farina-16-9_Final.mp4}} A. Farina, “Future technologies for auralization in archaeoacoustics”, //Keynote presentation//, Intl Conf on Immersive and 3D Audio (I3DA), Sept. 2021. 
  
 ---- ----
Line 67: Line 71:
   * B. F. G. Katz, M. Pardoen, J.-M. Lyzwa, S. Peichert, C. Cros, D. Poirier-Quinot, J. De Muynke, A. Ling, S. Cacheux, J. Griner, J. Mouscadet, and S. S. Mullins, “The Past Has Ears at Notre-Dame: Immersive audio experiences for public engagement,” in Proc AES Conv 156, pp. 1–8, 2024.    * B. F. G. Katz, M. Pardoen, J.-M. Lyzwa, S. Peichert, C. Cros, D. Poirier-Quinot, J. De Muynke, A. Ling, S. Cacheux, J. Griner, J. Mouscadet, and S. S. Mullins, “The Past Has Ears at Notre-Dame: Immersive audio experiences for public engagement,” in Proc AES Conv 156, pp. 1–8, 2024. 
   * S. S. Mullins and B. F. G. Katz, “The Past Has Ears at Notre-Dame Cathedral: An Interdisciplinary Project in Digital Archaeoacoustics,” Acoustics Today, vol. 20, no. 2, p. (in press).    * S. S. Mullins and B. F. G. Katz, “The Past Has Ears at Notre-Dame Cathedral: An Interdisciplinary Project in Digital Archaeoacoustics,” Acoustics Today, vol. 20, no. 2, p. (in press). 
 +  * A. Foteinou, J. P. D.  Cooper, and  D.T. Murphy, “Acoustics, Audibility and Political Culture in the House of Commons”, 1800-34. Parliamentary History, vol. 43, no. 3, pp. 316-337, 2024, doi:10.1111/1750-0206.12765
  
 === Book / Chapters === === Book / Chapters ===
Line 92: Line 97:
  
  
-==== Conference presentations without publication ==== +=== Presentations without publications === 
- +  * A. Farina, “Future technologies for auralization in archaeoacoustics”, Keynote presentation, Intl Conf on Immersive and 3D Audio (I3DA), Sept. 2021.  
-  * {{ http://www.angelofarina.it/Public/I3DA/Magistral-Lesson-Angelo-Farina-16-9_Final.mp4}} A. Farina, “Future technologies for auralization in archaeoacoustics”, //Keynote presentation//, Intl Conf on Immersive and 3D Audio (I3DA), Sept. 2021.  +  * J.P.D. Cooper, C. Cooper, and D.T. Murphy, “The Soundscapes of Parliament in Early Modern England”, Soundscapes of the Early Modern World, 5-9 July 2021  
- +  * D.T. Murphy, C. Cooper, and J.P.D. Cooper, “Horror Vacui: Balancing evidence and imagination during the virtual reconstruction of St Stephen’s Chapel, Palace of Westminster”, Symposium on Scholarly Reconstruction: An Interdisciplinary Discussion on Methods, Outcomes, and Limits of Reconstruction Practices, Newcastle University, 19-20 July, 2021  
----- +  * S. Mullins, V. Le Page, J. De Muynke, E. K. Canfield-Dafilou, F. Billiet, and B.F.G. Katz, “Preliminary report on the effect of room acoustics on choral performance in Notre-Dame and its pre-gothic predecessor,” in Meeting of Acoustical Society of America, vol. 150, p. A258, 2021, doi:10.1121/10.0008212.  
- +  * D. Sandron, « Notre-Dame de Paris au XIVe siècle : le temps des réparations », Paris, École normale supérieure, 9-Feb-2021.  
-  * J.P.D. Cooper,  C. Cooper, and D.T. Murphy, "The Soundscapes of Parliament in Early Modern England", Soundscapes of the Early Modern World, 5-9 July 2021. +  * D. Sandron and L. Cook, “Notre-Dame, Past and Present”, International Center of Medieval Art, 1-Feb-2021.  
-  * D.T. Murphy, C. Cooper, and J.P.D. Cooper, "Horror Vacui: Balancing evidence and imagination during the virtual reconstruction of St Stephen’s Chapel, Palace of Westminster", Symposium on Scholarly Reconstruction: An Interdisciplinary Discussion on Methods, Outcomes, and Limits of Reconstruction Practices, Newcastle University, 19-20 July, 2021.+  * D. Sandron, “Notre-Dame de Paris, questions de spatialité”, Paris, Ecole nationale Supérieure des Arts décoratifs, 31-Mar-2021.  
 +  * D. Sandron, “Notre-Dame de Paris, un monument de référence”, Paris, Ecole de guerre, 18-May-2021.  
 +  * D. Sandron, “Notre-Dame, la signification de la cathédrale au Moyen Âge”, Paris, Association nationale de neurologie, 22-Apr-2021.  
 +  * D. Sandron, “Opus Magnum. The Great Restoration of Notre-Dame Cathedral in Paris”, Webinar, Orlando, Valencia College, 1-Apr-2022.  
 +  * F. Billiet, V. Le Page, S. Mullins, and B.F.G. Katz, “Virtual acoustic reconstructions of Notre-Dame cathedral’s past for musicological study”, Music and contexts in the Iberian world medieval and renaissance (MEDyREN) : Early Music, Architectural Spaces and New Technologies, Morella, 20-21 May, 2022  
 +  * J. Ferrando and J. De Muynke, “Reinterpreting the music of the Ars Nova in its historical acoustic context: the IMAPI experiment Project”, Music and contexts in the Iberian world medieval and renaissance (MEDyREN) : Early Music, Architectural Spaces and New Technologies, Morella, 20-21 May, 2022.  
 +  * C. Cros, B.F.G. Katz, and M. Pardoen, “La Fabrique de Notre Dame, une série sonore immersive en son 3D”, Journée d’étude « les nouveaux espaces sonores », Le Mans Sonore : Le Mans, Jan 2022  
 +  * M. Pardoen, M. Guesney, J. De Muynke, “ESPHAISTOSS - Étude et analyse sensorielle des métiers du patrimoine historique, de leur restitution sonore, de leur sauvegarde numérique à des fins de transmission, de valorisation et de médiation” (Study and sensory analysis of the historical heritage professions, their sound restitution, and their digital preservation for transmission, enhancement and mediation purposes), Innovatives SHS 2022 (Human and Social Sciences Promotion Fair), Aubervilliers, 18-19 May, 2022  
 +  * D. Sandron, G. Chaumet, “Plemo3D. L’apport du numérique à l’étude du décor de Notre-Dame de Paris” (The contribution of digital technology to the study of the decor of Notre-Dame de Paris), Innovatives SHS 2022 (Human and Social Sciences Promotion Fair), Aubervilliers, 18-19 May, 2022  
 +  * D. Sandron, “Présentation des opérations de relevés et de modélisation du décor de Notre-Dame de Paris”, Innovatives SHS 2022 (Human and Social Sciences Promotion Fair), Aubervilliers, 18-19 May, 2022  
 +  * B. Caseau, “Sound and textiles: the importance of curtains”, in workshop Beyond the veil, Munich, 19 May, 2022.  
 +  * B. F. Katz, D. Poirier-Quinot, and J.-M. Lyzwa, “Experimental Virtual Archaeological-Acoustics: The case of ‘La Vierge 2020’,” in AURA - Glimpsing the Future of Immersive Sound Experience, BGZ Berliner Gesellschaft fürinternationale Zusammenarbeit mbH, 2022  
 +  * B. F. Katz, “Experimental virtual archaeological-acoustics : Bringing together physical, computer, and social science researchers,” in Historic interiors and digital technology - possibilities and limits of virtual reconstructions for research, Chateau de Versailles, 2022  
 +  * J. Ferrando, J. Simonnot, C. Esclapez, B. F. Katz, J. DeMynke, and A. Guerber, “Immersion musicale en acoustique patrimoniale immersive : Reconstitution 3d du patrimoine historiquement informé,” in Séminaire Humanités Numériques, Univ of Corte, Corsica, 2023  
 +  * A. Foteinou, “An Acoustic Reconstruction of the House of Commons c.1820-1834“, Institute of Acoustics, UK Midlands Branch, University of York, 2023-03-08.  
 +  * A. Foteinou, “Acoustics of Parliamentary Spaces in the UK: House of Commons Chamber in the 1820s“, EuropeanaTech, 2022-11-15. Invited Presentation.  
 +  * B. F. Katz, “eXploring the acoustic history of Notre-Dame cathedral,” in XR Stories’ Culture and Heritage Event, (York, UK), 2023.  
 +  * S. Peichert, “Whispers of the Past at Notre-dame: promoting academic research through an immersive audio experience for the general public,” in XR Stories’ Culture and Heritage Event, (York, UK), 2023.  
 +  * B. Caseau, « Entendait-on la voix des enfants de chœur dans les églises du Moyen âge ? »  Journées du Laboratoire Iremus, 06-2023, France, Paris  
 +  * J. Ferrando, J. Simonnot, C. Esclapez, B. F. Katz, J. De Muynke, A. Guerber, “Immersion musicale en acoustique patrimoniale immersive : Reconstitution 3d du patrimoine historiquement informé,” in Séminaire Humanités Numériques, Univ of Corte, 2023  
 +  * E.K. Canfield-Dafilou, S.S. Mullins, B. Caseau, "Questions d'audibilité à Notre-Dame de Paris", Gothic Resonances, Avignon, 2023-09-07  
 +  * J. De Muynke, S. Peichert, “Whispers of the Past at Notre-Dame: a geo-localised immersive walk through the sonic memory of Notre-Dame de Paris cathedral”, Gothic Resonances, Avignon, 2023-09-07  
 +  * V. Le Page, S.S. Mullins, ”Le chant dans le chœur de Notre-Dame à la fin du XIIe siècle, expérimentations et analyses”, Gothic Resonances, Avignon, 2023-09-07  
 +  * J. Ferrando, “Immersion musicale en acoustique patrimoniale immersive : présentation du projet IMAPI”, Gothic Resonances, Avignon, 2023-09-07  
 +  * B.F. Katz, “Digitally exploring the acoustic history of Notre-Dame cathedral“, EuropeanaTech, The Hague, 2023-10-12, Keynote.  
 +  * V. Le Page, “Le chant dans l’iconographie médiévale”, Society for Music Research (GfM) Conf, Saarland University, 2023-10  
 +  * A. Foteinou, “Speech Intelligibility of Parliamentary debates in the House of Commons c. 1800-34”, Acoustics & Noise Consultants Conference 2023, 2023-09-21, Invited Presentation  
 +  * A. Foteinou, “Audio-immersive tour in a Virtual Representation of St Stephen’s Chapel, Westminster”, eXtending Reality: Immersive Design, Production and Technology, University of Portsmouth, 2023-09-11  
 +  * B. F. Katz, “Productions publiques pour explorer l’histoire acoustique de la cathédrale Notre-Dame,” in Journées Techniques du Spectacle et de l’Evénement, 2023, Table ronde : Archéologie sonore : quand l’acoustique devient un patrimoine common.  
 +  * B. F. Katz, “The past has ears – research at the intersection of acoustics, virtual reality, cultural heritage, and experimental archaeology,” in Graduate Program in Acoustics Seminar, 2024. Invited talk.  
 +  * B. F. G. Katz, “Resonating History: A Digital Expedition into the Acoustic Legacy of Notre-Dame Cathedral,” in Lecture Series "Cultural Heritage in the Digital Age", 2024, Invited talk.  
 +  * B. F. Katz, “Experimental virtual archaeological-acoustics : Bringing together physical, computer, and social science researchers,” in Artsoundscapes seminars, 2024. Invited talk. 
  
  
phe/pubs.1715702511.txt.gz · Last modified: by katz