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start [2022/03/03 11:24] – [EVAA : Experimental Virtual Archaeological-Acoustics] katz | start [2023/08/29 14:52] – ["Looking for Notre-Dame" An immersive sound fiction] katz | ||
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This site directly hosts 2 projects: | This site directly hosts 2 projects: | ||
- | * the **[[phe|European PHE project]]**, | + | * the **[[http://phe.pasthasears.eu|European PHE project]]**, |
- | * the **[[phend|French project PHEND]]**, an extension to certain aspects of the PHE project (# | + | * the **[[http://phend.pasthasears.eu|French project PHEND]]**, an extension to certain aspects of the PHE project (# |
These 2 projects are inspired by the concept of the mythical // | These 2 projects are inspired by the concept of the mythical // | ||
- | These projects are associated with studies in archeoacoustics as it relates to room acoustics. PHE and PHEND are also part of the Experimental Virtual Archaeological-Acoustics [[https://evaa.lam.jussieu.fr/|EVAA]] program, led by the [[http:// | + | These projects are associated with studies in archeoacoustics as it relates to room acoustics. PHE and PHEND are also part of the Experimental Virtual Archaeological-Acoustics [[http://evaa.pasthasears.eu/|EVAA]] program, led by the [[http:// |
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PHE is a collaborative research project. | PHE is a collaborative research project. | ||
- | For more information, | + | For more information, |
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PHEND is a French collaborative research project funded by the [[https:// | PHEND is a French collaborative research project funded by the [[https:// | ||
- | For more information, | + | For more information, |
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For more information, | For more information, | ||
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+ | ===== Productions ===== | ||
+ | |||
+ | ==== " | ||
+ | Production project [[http:// | ||
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+ | Looking for Notre-Dame is a 3D sound experience that plunges us into the mind of the young Victor Hugo as he begins his research for his future “cathedral novel”, Notre Dame de Paris. The year is 1828. Hugo is 26 years old. Notre-Dame was then a church in a dilapidated state. It would only be renovated by Viollet-le-Duc and Jean-Baptiste Lassus in 1843. Notre-Dame was dying, and Hugo wanted to resurrect it as it had been in the Middle Ages. The legendary author plunges us into an investigation / experiment on the sound of Notre-Dame, allowing us to explore its acoustics and soundscapes over the centuries. | ||
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+ | /* [[productions: | ||
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===== Publications/ | ===== Publications/ |
start.txt · Last modified: 2024/03/10 17:20 by katz