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start [2020/11/05 14:48] – [PHEND : The Past Has Ears at Notre Dame] katz | start [2023/08/29 14:50] – ["Looking for Notre-Dame" An immersive sound fiction] katz | ||
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The //Past Has Ears// is a portal to research on Cultural Heritage of Acoustics, focusing on room acoustics and soundscape. | The //Past Has Ears// is a portal to research on Cultural Heritage of Acoustics, focusing on room acoustics and soundscape. | ||
- | This site currently | + | This site directly |
- | * the [[phe|European PHE project]], the namesake at the origin of this project | + | * the **[[http://phe.pasthasears.eu|European PHE project]]**, the namesake at the origin of this project |
- | * the [[phend|French project PHEND]], an extension to certain aspects of the PHE project | + | * the |
+ | |||
+ | These 2 projects are inspired by the concept of the mythical // | ||
+ | |||
+ | These projects are associated with studies in archeoacoustics as it relates to room acoustics. PHE and PHEND are also part of the Experimental Virtual Archaeological-Acoustics [[http:// | ||
- | Thee 2 projects are inspired by the concept of the mythical // | ||
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EU JPI-CH PHE : The Past Has Ears (2020-2023) | EU JPI-CH PHE : The Past Has Ears (2020-2023) | ||
- | PHE is a collaborative research project. | + | PHE is a collaborative research project. |
- | For more information, | + | For more information, |
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PHEND is a French collaborative research project funded by the [[https:// | PHEND is a French collaborative research project funded by the [[https:// | ||
- | For more information, | + | For more information, |
+ | ---- | ||
+ | |||
+ | ===== EVAA : Experimental Virtual Archaeological-Acoustics ===== | ||
+ | {{ : | ||
+ | |||
+ | EVAA (Experimental Virtual Archaeological-Acoustics) is a directive/ | ||
+ | |||
+ | For more information, | ||
+ | ---- | ||
+ | |||
+ | ===== Productions ===== | ||
+ | |||
+ | ==== " | ||
+ | Production project [[http:// | ||
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+ | Looking for Notre-Dame is a 3D sound experience that plunges us into the mind of the young Victor Hugo as he begins his research for his future “cathedral novel”, Notre Dame de Paris. The year is 1828. Hugo is 26 years old. Notre-Dame was then a church in a dilapidated state. It would only be renovated by Viollet-le-Duc and Jean-Baptiste Lassus in 1843. Notre-Dame was dying, and Hugo wanted to resurrect it as it had been in the Middle Ages. The legendary author plunges us into an investigation / experiment on the sound of Notre-Dame, allowing us to explore its acoustics and soundscapes over the centuries. | ||
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+ | /* [[productions: | ||
+ | |||
+ | ---- | ||
+ | ===== Publications/ | ||
+ | |||
+ | Press articles about this project can be found in the section: [[inthepress# | ||
+ | |||
+ | Our scientific and editoral publications related to this project can be found in the section: [[inthepress# | ||
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===== Contact ===== | ===== Contact ===== | ||
If you have any question or comments, please contact < | If you have any question or comments, please contact < |
start.txt · Last modified: 2024/03/10 17:20 by katz