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start [2020/10/08 10:59] – [Welcome to "The Past Has Ears"] katz | start [2024/03/10 17:20] (current) – katz | ||
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The //Past Has Ears// is a portal to research on Cultural Heritage of Acoustics, focusing on room acoustics and soundscape. | The //Past Has Ears// is a portal to research on Cultural Heritage of Acoustics, focusing on room acoustics and soundscape. | ||
- | This site currently | + | This site directly |
- | * the European | + | * the **[[http:// |
- | * the French project | + | * the **[[http:// |
+ | |||
+ | These 2 projects are inspired by the concept of the mythical // | ||
+ | |||
+ | These projects are associated with studies in archeoacoustics as it relates to room acoustics. PHE and PHEND are also part of the Experimental Virtual Archaeological-Acoustics [[http:// | ||
- | Thee 2 projects are inspired by the concept of the mythical // | ||
- | [[phe|PHE]] | ||
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EU JPI-CH PHE : The Past Has Ears (2020-2023) | EU JPI-CH PHE : The Past Has Ears (2020-2023) | ||
- | PHE is a collaborative research project. | + | PHE is a collaborative research project. |
- | * University of York, York, UK | + | For more information, follow the **[[http://phe.pasthasears.eu|PHE project link]]**. |
- | | + | |
- | | + | |
- | * Maison des Sciences de l’Homme (MSH) Lyon St-Etienne, Lyon, France | + | |
- | * Direction régionale des affaires culturelles d' | + | |
- | * Houses of Parliament, London, UK | + | |
- | * Parco Archeologico di Tindari (Tindari Theatre), Tindari, Italy | + | |
- | {{ : | + | |
- | + | ||
- | When we think about great architectural achievements in European history, such as ancient | + | |
- | amphitheatres or gothic cathedrals, their importance is strongly tied to their acoustic | + | |
- | environment. The acoustics of a site is an intangible consequence of the space’s tangible | + | |
- | construction and furnishings. It is ephemeral, while also a concrete result of the physical | + | |
- | nature of the environment. Through the “Past Has Ears” project (the PHE project), we will | + | |
- | explore how via measurements, | + | |
- | heritage spaces can be documented, reconstructed, | + | |
- | existing and in various altered states. Inspired by the project’s namesake (Phé, for the | + | |
- | constellation Phoenix), and the recent fires at Notre Dame Cathedral in Paris (2019) and | + | |
- | Teatro La Fenice opera hall (1996, also meaning Phoenix), PHE focuses on the preservation, | + | |
- | conservation, | + | |
- | by researchers, | + | |
- | research teams with experience in acoustic reconstructions and historical research, paired | + | |
- | with national heritage monuments of acoustic importance, the consortium will develop a joint | + | |
- | methodology for addressing relevant archaeological acoustics issues across Europe with | + | |
- | historians of different disciplines. Specialists in tangible/ | + | |
- | issues ensure the viability and longevity of the methodology guidelines. The consortium will | + | |
- | prototype next generation exploration tools for presenting digital acoustic reconstructions to | + | |
- | scientists and museum visitors alike. Results will be evaluated with associated test heritage | + | |
- | sites, created in partnership with stakeholders and experienced content producers. | + | |
- | Presentation methods provide first-person in-situ or offsite explorations, | + | |
- | experience various historical periods. For deteriorated sites, this approach provides access to | + | |
- | situations impossible to experience onsite. | + | |
- | + | ||
- | {{youtube> | + | |
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PHEND is a French collaborative research project funded by the [[https:// | PHEND is a French collaborative research project funded by the [[https:// | ||
- | | + | For more information, |
- | * Centre André Chastel (CAC) : Laboratoire de recherche en histoire de l'art, Sorbonne Université, | + | ---- |
- | * Institut de recherche en Musicologie (IReMus) | + | |
- | * Maison des Sciences de l’Homme | + | ===== EVAA : Experimental Virtual Archaeological-Acoustics ===== |
- | * Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), SACRe (Sciences, arts, création, recherche), Paris | + | {{ : |
- | | + | |
- | * [[http://www.narrative.info/|Narrative]], Producteur pour les nouveaux médias, Paris | + | EVAA (Experimental Virtual Archaeological-Acoustics) is a directive/ |
- | {{ : | + | |
+ | For more information, | ||
+ | ---- | ||
+ | |||
+ | ===== Productions ===== | ||
+ | |||
+ | ==== "La Vierge 2020" Hearing the Past: an immersive virtual audio concert for the ears ==== | ||
+ | Production project : [[http:// | ||
+ | |||
+ | As an initial production, a pre-project deliverable, coinciding with the International Year of Sound [[https:// | ||
+ | |||
+ | |||
+ | ==== " | ||
+ | Production project [[http:// | ||
+ | |||
+ | Looking for Notre-Dame is a 3D sound experience that plunges us into the mind of the young Victor Hugo as he begins his research for his future “cathedral novel”, Notre Dame de Paris. The year is 1828. Hugo is 26 years old. Notre-Dame was then a church in a dilapidated state. It would only be renovated by Viollet-le-Duc and Jean-Baptiste Lassus in 1843. Notre-Dame was dying, and Hugo wanted to resurrect it as it had been in the Middle Ages. The legendary author plunges us into an investigation / experiment on the sound of Notre-Dame, allowing us to explore its acoustics and soundscapes over the centuries. | ||
+ | |||
+ | /* [[productions: | ||
+ | |||
+ | ==== " | ||
+ | |||
+ | Production project " | ||
+ | |||
+ | " | ||
+ | Experience an extraordinary sensory journey around the famous Parisian monument. Explore from viewpoint to viewpoint and immerse yourself in thrilling stories narrated by the oldest lady in Paris. Grab your headphones, your phone, and get ready to dive in. Live each story from the inside, as if you were there. Along a route composed of 6 listening stations, Notre-Dame shares her memories, which you collect one by one to recreate the rose of her memory. | ||
+ | |||
+ | {{ youtube> | ||
+ | |||
+ | ---- | ||
+ | ===== Publications/ | ||
- | When we think about great architectural achievements in history, such as Gothic cathedrals, their importance is strongly tied to their acoustic environment. The acoustics of a heritage site is an intangible consequence of the space’s tangible construction and furnishings. It is ephemeral, while also a concrete result of the physical nature of the environment. Through | + | Press articles |
+ | Our scientific and editoral publications related to this project can be found in the section: [[inthepress# | ||
---- | ---- | ||
+ | ===== Contact ===== | ||
+ | If you have any question or comments, please contact < |
start.txt · Last modified: 2024/03/10 17:20 by katz