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phe [2020/11/10 09:47] – [EU JPI-CH PHE : The Past Has Ears (2020-2023)] katzphe [2024/03/10 17:24] (current) katz
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-PHE is a collaborative research project.  Partners in the project include researchers from a wide range of disciplines focusing on room acoustics as an important aspect of cultural heritage. Funding has been provided by the [[http://jpi-ch.eu/joint-activities/joint-call-on-conservation-protection-and-use/| EU JPI Cultural Heritage]] project PHE. +PHE is a collaborative research project.  Partners in the project include researchers from a wide range of disciplines focusing on room acoustics as an important aspect of cultural heritage. Funding has been provided by the [[https://www.heritageresearch-hub.eu/homepage/joint-programming-initiative-on-cultural-heritage-homepage/| EU JPI Cultural Heritage]] project [[https://www.heritageresearch-hub.eu/project/phe/|PHE]] (20-JPIC-0002-FS)
  
 +----
 ===== Partners ===== ===== Partners =====
  
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   * Maison des Sciences de l’Homme (MSH) Lyon St-Etienne, Lyon, France   * Maison des Sciences de l’Homme (MSH) Lyon St-Etienne, Lyon, France
   * Direction régionale des affaires culturelles d'Île-de-France (Notre Dame), Paris, France   * Direction régionale des affaires culturelles d'Île-de-France (Notre Dame), Paris, France
 +  * PRISM, CNRS, Aix-Marseille Université, Marseille, France
   * Houses of Parliament, London, UK   * Houses of Parliament, London, UK
   * Parco Archeologico di Tindari (Tindari Theatre), Tindari, Italy   * Parco Archeologico di Tindari (Tindari Theatre), Tindari, Italy
-{{ :phoenix_ndzoom.png?200|}} +{{ :phe-logo_tspbkgnd.jpg?200|}}
 ===== Introduction ===== ===== Introduction =====
  
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 experience various historical periods. For deteriorated sites, this approach provides access to experience various historical periods. For deteriorated sites, this approach provides access to
 situations impossible to experience onsite. situations impossible to experience onsite.
 +
 +----
 +===== Productions =====
 +==== "Looking for Notre-Dame" An immersive sound fiction ====
 +Production project [[http://alarecherchedenotredame.pasthasears.eu/|Looking for Notre-Dame]], in 4 Episodes is available on [[https://www.audible.fr/pd/Looking-for-Notre-Dame-Livre-Audio/B0C1P22CZW|Audible]]. Available in French and English.
 +
 +Looking for Notre-Dame is a 3D sound experience that plunges us into the mind of the young Victor Hugo as he begins his research for his future “cathedral novel”, Notre Dame de Paris. The year is 1828. Hugo is 26 years old. Notre-Dame was then a church in a dilapidated state. It would only be renovated by Viollet-le-Duc and Jean-Bap- tiste Lassus in 1843. Notre-Dame was dying, and Hugo wanted to resurrect it as it had been in the Middle Ages. The legendary author plunges us into an investigation / experiment on the sound of Notre-Dame, allowing us to explore its acoustics and soundscapes over the centuries.
 +
 +==== "Notre-Dame Whispers" An immersive audio-guide ====
 +
 +Production project "Notre-Dame Whispers", is available for free for Android and iOS, from April 2024 [[https://www.ekkoapp.art/|(Link to application)]] in French, English, and Spanish.
 +
 +"Shhh... Notre-Dame is speaking to you... Listen up!
 +Experience an extraordinary sensory journey around the famous Parisian monument. Explore from viewpoint to viewpoint and immerse yourself in thrilling stories narrated by the oldest lady in Paris. Grab your headphones, your phone, and get ready to dive in. Live each story from the inside, as if you were there. Along a route composed of 6 listening stations, Notre-Dame shares her memories, which you collect one by one to recreate the rose of her memory.
 +
 +{{ youtube>Dm9dIqzSGyk }}
 +
  
 ===== Publications ===== ===== Publications =====
  
-{{youtube>nvC-SRuZkwc }} //B. F. G. Katz, D. Murphy, and A. Farina, “The Past Has Ears (PHE) : XR Explorations of acoustic spaces as Cultural Heritage,” in Intl Conf on Augmented Reality, Virtual Reality and Computer Graphics (SALENTO AVR) (L. De Paolis and P. Bourdot, eds.), vol. 12243 of Lecture Notes in Computer Science, (Salento), pp. 9198Sept. 2020, [[https://link.springer.com/chapter/10.1007/978-3-030-58468-9_7|doi:10.1007/978-3-030-58468-9_7.]]/+==== In the Press ==== 
 + 
 +  * S. Magny, “Les cloches sonnent pour Notre-Dame”, //L'Yonne Républicaine//, p.13, 22-03-2023  [[https://www.lyonne.fr/sens-89100/actualites/pourquoi-les-cloches-de-la-cathedrale-saint-etienne-sonnent-a-des-heures-inhabituelles_14281662/|(url)]], [[http://acoustic-task-force-notre-dame.dalembert.upmc.fr/lib/exe/fetch.php?media=press:yr_yonne_20230322-page-13.pdf|(extract)]]. 
 +  * M. Schwartz, M. Khurana, M. Gröndahl & Y. Parshina-Kottas, “A Cathedral of Sound”, //New York Times Magazine//, 05-03-2023, [[https://www.nytimes.com/interactive/2023/03/03/magazine/notre-dame-cathedral-acoustics-sound.html|(url)]]. 
 + 
 +Go to the [[phe/pubs|PHE Presentations and Publications page]]... 
 + 
 +**A kind of mission statement** : B. F. G. Katz, D. Murphy, and A. Farina, “Exploring cultural heritage through acoustic digital reconstructions,” Physics Today, vol. 73, pp. 3237dec 2020, [[https://doi.org/10.1063/pt.3.4633|doi:10.1063/pt.3.4633]]
 + 
 +===== Conference Colloque ===== 
 + 
 +[[GothicResonances2023|Gothic Resonances 2023]] international colloquium, organized by the PHE project.  
  
 ---- ----
 ===== Contact ===== ===== Contact =====
 If you have any question or comments, please contact <brian.katz@sorbonne-universite.fr>. If you have any question or comments, please contact <brian.katz@sorbonne-universite.fr>.
phe.1604998052.txt.gz · Last modified: 2020/11/10 09:47 by katz