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| phe:team [2021/11/03 18:12] – [Maison des Sciences de l’Homme (MSH) Lyon St-Etienne] katz | phe:team [2021/11/22 12:26] – [University of York] katz |
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| The Department of Electronic Engineering AudioLab is an outward facing, multi-disciplinary group of academic researchers that apply signal processing, acoustic modelling, and machine learning with experimental work in | The Department of Electronic Engineering AudioLab is an outward facing, multi-disciplinary group of academic researchers that apply signal processing, acoustic modelling, and machine learning with experimental work in |
| psychoacoustics and perception, to produce world-leading research in audio with impact across society. There is a strong record of accomplishment working with industry, applying diverse intra-disciplinary expertise to present creative solutions for audio and acoustic applications with companies including Google, Huawei, BBC, Meridian Audio, ARUP and AECOM. Core research areas include Immersive and Interactive Audio, Environmental Soundscape, Voice Science, and Health and Wellbeing. | psychoacoustics and perception, to produce world-leading research in audio with impact across society. There is a strong record of accomplishment working with industry, applying diverse intra-disciplinary expertise to present creative solutions for audio and acoustic applications with companies including Google, Huawei, BBC, Meridian Audio, ARUP and AECOM. Core research areas include Immersive and Interactive Audio, Environmental Soundscape, Voice Science, and Health and Wellbeing. |
| * Murphy, Damian (PI) | * Murphy, Damian (PI) : Professor in Sound and Music Computing at the AudioLab in the Department of Electronic Engineering, University of York, UK, where his research focuses on the development and creative application of immersive audio and virtual acoustic modelling. He is an active sound artist, and the Director of the £15m XR Stories Arts and Humanities Research Council funded Creative Industries R&D Partnership exploring the next generation of interactive and immersive storytelling for the UK’s creative screen industries. Professor Murphy has a long track record and interest in the development and application of methodologies for room acoustic simulation, and particularly at its intersection with heritage acoustics. This has included the development of the OpenAIR online library of acoustic impulse response data that features measurements and results from studies made around the UK and internationally, including both physical sites and virtual models. Working with the UK Team as part of the PHE project he is leading on the development of a virtual model of the historic House of Commons chamber in Westminster, and is interested in exploring and optimising approaches to acoustic model calibration in the absence of base line data. |
| * Popp, Constantin | * Popp, Constantin : Sound artist and researcher, having studied electroacoustic composition with Robin Minard. He obtained an AHRC/DAAD funded PhD in the design of spatial experiences for loudspeaker orchestras at the University of Manchester, supervised by David Berezan. He is undertaking a postdoctoral fellowship in audio-driven, immersive storytelling at the University of York, supervised by Damian Murphy and funded by XR Stories. Constantin worked as a sound artist and lecturer across Europe, most recently at the Experimentalstudio des SWR Freiburg and Liverpool Hope University. |
| * Fotinou, Aglaia | * Fotinou, Aglaia |
| === Department of History === | === Department of History === |
| === Institut de recherche en Musicologie (IReMus) === | === Institut de recherche en Musicologie (IReMus) === |
| The [[https://www.iremus.cnrs.fr/|Institute of Research in Musicology (IREMUS)]] develops researcher covering a vast chronology from the Middle Ages to contemporary music, addressing many sub-disciplines of musicology (historical and systematic, ethnomusicology, contemporary popular culture, musical institutions, sociology, cognitive psychology, aesthetics, and digital musicology), and promotes musical heritage conservation. | The [[https://www.iremus.cnrs.fr/|Institute of Research in Musicology (IREMUS)]] develops researcher covering a vast chronology from the Middle Ages to contemporary music, addressing many sub-disciplines of musicology (historical and systematic, ethnomusicology, contemporary popular culture, musical institutions, sociology, cognitive psychology, aesthetics, and digital musicology), and promotes musical heritage conservation. |
| * Billiet, Frédéric : Coordinator of the program of musical medieval //Iconography Musiconis// since 2011. He directed the publication and the recording of La Messe de la Sorbonne, PUPS et Libreria Editrice Vaticana, Paris et Cité du Vatican, 2012. | * Billiet, Frédéric : Professor of Medieval Music at Sorbonne University, Vice-Dean of the Faculty Human Sciences Sorbonne University and co-director of the Organology/Iconography program in the Institute of Researches in Musicology ([[https://www.iremus.cnrs.fr/|IReMUS – SU/CNRS]]). His major fields of research are the medieval musical iconography and the soundscapes of the Middle Ages. He is responsible for the research program on medieval musical iconography [[http://musiconis.huma-num.fr|MUSICONIS]] “the representation of sound in the Middle Ages” supported by the ANR (2011-2015) and by IReMUS. He also coordinates the initiative on medieval choir stalls with the association Misericordia International (France-USA). Last publication : F. Billiet, E. C. Block Lexicon of Medieval Choir Stalls, Brepols, 2019. |
| * Caseau, Béatrice : Professor in Byzantine history, in the medieval section of the history department. She was the director of a research cluster on Religions and society in the Mediterranean (Labex RESMED 2015-2021). She is now a senior member of the Institut universitaire de France. Her research focuses on religious and social history. She has published 2 volumes of collected essays (1336 pages) with N. Bériou and D. Rigaux on Eucharistic practices (Pratiques de l’eucharistie dans les Églises d'Orient et d'Occident (Antiquité et Moyen Âge), Paris: Études Augustiniennes, 2009. Her most recent publication is on the history of the senses in Christian rituals. (Rituels religieux et sensorialité (Antiquité et Moyen âge) Parcours de recherche, with E. Neri, Milan, Silvana Editoriale, 2021). Her Phd was on the christianization of perfumes, such as incense and the holy chrism. She now moves into the world of sounds, interested in voices (especially choirboys, but also women) and in questions of audibility and intelligibility. | * Caseau, Béatrice : Professor in Byzantine history, in the medieval section of the history department. She was the director of a research cluster on Religions and society in the Mediterranean (Labex RESMED 2015-2021). She is now a senior member of the Institut universitaire de France. Her research focuses on religious and social history. She has published 2 volumes of collected essays (1336 pages) with N. Bériou and D. Rigaux on Eucharistic practices (Pratiques de l’eucharistie dans les Églises d'Orient et d'Occident (Antiquité et Moyen Âge), Paris: Études Augustiniennes, 2009. Her most recent publication is on the history of the senses in Christian rituals. (Rituels religieux et sensorialité (Antiquité et Moyen âge) Parcours de recherche, with E. Neri, Milan, Silvana Editoriale, 2021). Her Phd was on the christianization of perfumes, such as incense and the holy chrism. She now moves into the world of sounds, interested in voices (especially choirboys, but also women) and in questions of audibility and intelligibility. |
| * Nunes-Le Page, Valérie : A singer in medieval music ensembles. In addition to teaching music at the Conservatory and the University of Evry-Val d’Essonne, she obtained a Master's degree in Early Music Performance (MIMA Medieval) under the direction of Benjamin Bagby, Katarina Livljanic, Marc Mauillon and Brigitte Lesne at Sorbonne University. She is currently a doctoral student under the direction of Frédéric Billiet and Victoria Eyharabide at the Sorbonne University. Her subject is the representation of singers in the musical iconography of the Middle Ages. It is in this context that she is a member of the PHEND project, working with acousticians of the LAM-Jussieu on the singing in Notre-Dame de Paris at the very beginning of its construction. | * Nunes-Le Page, Valérie : A singer in medieval music ensembles. In addition to teaching music at the Conservatory and the University of Evry-Val d’Essonne, she obtained a Master's degree in Early Music Performance (MIMA Medieval) under the direction of Benjamin Bagby, Katarina Livljanic, Marc Mauillon and Brigitte Lesne at Sorbonne University. She is currently a doctoral student under the direction of Frédéric Billiet and Victoria Eyharabide at the Sorbonne University. Her subject is the representation of singers in the musical iconography of the Middle Ages. It is in this context that she is a member of the PHEND project, working with acousticians of the LAM-Jussieu on the singing in Notre-Dame de Paris at the very beginning of its construction. |
