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| phe:team [2021/12/01 09:41] – [Sorbonne Université] katz | phe:team [2021/12/09 18:32] (current) – [Sorbonne Université] katz |
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| * [[https://www.lam.jussieu.fr/Membres/Katz|Katz, Brian FG]] (PI, project coordinator) : Has worked in the area of virtual acoustic reconstructions of historic buildings for almost 15 years, starting with the reconstruction of the Fogg Art Museum, where the science of room acoustics was founded by W.C. Sabine. His work has focused on examining the technological and perceptual limits of realistic and credible acoustic simulations. The work is currently being directed towards VR simulations as an assistive device for the visually impaired to prepare visits to unknown buildings as part of the [[http://rasputin.lam.jussieu.fr/doku.php|ANR-RASPUTIN]] project. | * [[https://www.lam.jussieu.fr/Membres/Katz|Katz, Brian FG]] (PI, project coordinator) : Has worked in the area of virtual acoustic reconstructions of historic buildings for almost 15 years, starting with the reconstruction of the Fogg Art Museum, where the science of room acoustics was founded by W.C. Sabine. His work has focused on examining the technological and perceptual limits of realistic and credible acoustic simulations. The work is currently being directed towards VR simulations as an assistive device for the visually impaired to prepare visits to unknown buildings as part of the [[http://rasputin.lam.jussieu.fr/doku.php|ANR-RASPUTIN]] project. |
| * [[https://jdemuynke.github.io/|De Muynke, Julien]] : Doctoral student in room acoustics. After he earned his MSc Degree in Electrical Engineering and Signal Processing in 2005 from ENSEA, Cergy-Pontoise, France, he worked in the audio industry for 10 years as a signal processing engineer. He later joined a research team in spatial audio at Eurecat Centro Tecnológico de Cataluña, Barcelona, Spain, and started his PhD in 2020 in the field of room acoustics of various cultural heritage sites such as the Cathédrale Notre Dame de Paris and the Palais des Papes in Avignon. His research focuses on navigable audio experiences in archeoacoustical context, spatial audio perception and room acoustics simulations. | * [[https://jdemuynke.github.io/|De Muynke, Julien]] : Doctoral student in room acoustics. After he earned his MSc Degree in Electrical Engineering and Signal Processing in 2005 from ENSEA, Cergy-Pontoise, France, he worked in the audio industry for 10 years as a signal processing engineer. He later joined a research team in spatial audio at Eurecat Centro Tecnológico de Cataluña, Barcelona, Spain, and started his PhD in 2020 in the field of room acoustics of various cultural heritage sites such as the Cathédrale Notre Dame de Paris and the Palais des Papes in Avignon. His research focuses on navigable audio experiences in archeoacoustical context, spatial audio perception and room acoustics simulations. |
| * Mullins, Sarabeth | * Mullins, Sarabeth : Doctoral student in room acoustics and acoustic heritage. She brings a background in music composition and technology to her work in room acoustic simulation, augmented aural reality, and acoustic experience. After getting her B.Mus in composition and technology, she went on to earn her MSc in acoustics and technology from the University of Edinburgh in 2020. She joined the Son Espace lab in 2021 where she studies the acoustic heritage of Notre Dame de Paris. |
| * [[https://pyrapple.github.io/|Poirier-Q., David]] : Post-doctoral research engineer working on sound spatialization, perception, and room acoustics simulation for virtual and augmented realities. His research focuses on how real virtual must be to feel real, and on the applications enabled by blurring this line. | * [[https://pyrapple.github.io/|Poirier-Q., David]] : Post-doctoral research engineer working on sound spatialization, perception, and room acoustics simulation for virtual and augmented realities. His research focuses on how real virtual must be to feel real, and on the applications enabled by blurring this line. |
| * Canfield-Dafilou, Elliot Kermit : Post-doctoral researcher working on the aural heritage of Notre-Dame de Paris. His research focuses on sound spatialization, room acoustics simulation, and auditory perception. His present work involves modeling changes in the acoustics of Notre-Dame over time and studying interactions among musicians and the spaces in which they perform. Before joining Sorbonne Université, he earned his Ph.D. from the Center for Computer Research in Music and Acoustics at Stanford University with a dissertation on Performing, Recording, and Producing Immersive Music. At Stanford, Elliot was part of the Icons of Sound project simulating Byzantine Chant in the acoustics of Turkey's Hagia Sophia. His work is multidisciplinary and frequently combines scientific and creative endeavors. | * Canfield-Dafilou, Elliot Kermit : Post-doctoral researcher working on the aural heritage of Notre-Dame de Paris. His research focuses on sound spatialization, room acoustics simulation, and auditory perception. His present work involves modeling changes in the acoustics of Notre-Dame over time and studying interactions among musicians and the spaces in which they perform. Before joining Sorbonne Université, he earned his Ph.D. from the Center for Computer Research in Music and Acoustics at Stanford University with a dissertation on Performing, Recording, and Producing Immersive Music. At Stanford, Elliot was part of the Icons of Sound project simulating Byzantine Chant in the acoustics of Turkey's Hagia Sophia. His work is multidisciplinary and frequently combines scientific and creative endeavors. |
